Since writer-director Neill Blomkamp stormed theaters in 2009 with his
fresh, gorgeous and socially conscious, lowish-budget sci-fi movie District 9, we’ve been hoping for something as good or better. His high budget, big star follow-up Elysium
made major pronouncements about class warfare and universal health care
but made zero sense, let alone make an emotional connection.
Those
pulling for Blomkamp’s third effort being the charm are in for the
biggest letdown yet with his latest glimpse into the future, Chappie,
another slickly-filmed action movie filled with big ideas, nice flashes
of humor, schizoid changes of tone, and blunted impact. Watch the Preview Video Chappie Thriller
In the movie, written by Blomkamp and Terri Tatchell and set in
Johannesburg, South Africa in 2016, Dev Patel plays a visionary
engineer-designer who has topped himself by creating the next evolution
in his successful crime-stopping robot police force called Scouts. Cue
the invention of the title A.I. character, brought to motion capture
life by Blomkamp’s constant collaborator Sharlto Copley.
Our titular
hero is a frenzied, childish, ultimately off-putting Short Circuit-type
‘bot that not only busts thugs, gangbangers, and drug-pushers but also
has the ability to think, feel and lay on the charm. Chappie and his
creator forge the expected dad-son — or, rather, Pinocchio and Geppetto
bond — but ‘bot-blocking the nerdy young engineer every step of the way
is rival robot-maker and mullet-rocking Hugh Jackman, who hankers to
replace Scouts with full-on militarized robots.
In a movie filled with
actors struggling to make something out very little, Jackman delivers an
especially unsubtle, one note performance – and a decidedly nasal one
note, at that.
Anyway, the robot matures quickly and undergoes growing pains like
hurling knives and wrecking cars, all the while asking annoying
questions, making him about as endearing as, well, other
people’s children. Or Jar-Jar Binks.
The movie’s overstuffed two hours
are filled with explosions, gunfire, chases, and even a guest-starring
appearance by Sigourney Weaver (who may be involved with Blomkamp’s next
movie project, an Alien sequel). But nothing in this misfire,
no matter how technically dazzling, generates a sense of wonder or
freshness.
How could it when we’ve already seen the same thing done
better in the original Robocop or Wall-E? You may find yourself wanting every character in this thing to die horribly. And quickly.
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